From that day, little by little, I gave my golden feathers away
In The Central Gallery
Birds of a Feather: The Art of Eric Carle and Leo Lionni
May 11 - December 9, 2007
When Eric Carle returned to America in 1952, a meeting with Leo Lionni resulted in a friendship and a job lead. The rest, as they say, is history. Neither Eric Carle nor Leo Lionni ever imagined they later would create some of the most memorable picture books of our time. The similarities between these two artists are quite striking: their pictures are filled with animals and nature; they drew inspiration from their childhood experiences; and their early careers in graphic design can be seen in their bold simplicity and elegant sense of design.
Illustration from The Spiderwick Chronicles: Book 2, The Seeing Stone
In The West Gallery
Spiderwick: From Page to Screen
September 22, 2007 - January 27, 2008
Spiderwick: From Page to Screen explores the art of Tony DiTerlizzi and Holly Black’s The Spiderwick Chronicles, and follows the story’s wondrous translation to the big screen. The exhibition, inspired by Museum Director Nick Clark’s sneak peek at early plans for The Spiderwick Chronicles movie (coming February 15, 2008), combines DiTerlizzi’s imaginative and masterful renderings of the natural and unnatural world with the film production team’s extraordinary interpretation of that creative vision.
The exhibition Spiderwick: From Page to Screen has been generously underwritten by Paramount Pictures and Nickelodeon Movies, and by a grant from Triad Foundation, Inc. Additional support has been provided by Simon & Schuster Children’s Publishing.
The Spiderwick Chronicles movie logo used here with permission.
Copyright © 2007 Paramount Pictures. All rights reserved.
Illustration from Betty Lou Blue written by Nancy Crocker.
In The East Gallery
Children Should Be Seen: The Image of the Child in American Picture-Book Art
November 15, 2007 - March 9, 2008
Presenting a comprehensive survey of the best American picture book art of the last decade, Children Should Be Seen: The Image of the Child in American Picture-Book Art opens with a rare grouping of illustrations chosen from some of the most significant works of the last half-century by artists such as Maurice Sendak, Dr. Seuss, and Ezra Jack Keats. The core of the exhibition consists of artworks dating from 1997 to 2007 and is grouped by the following sub-themes with the aim of highlighting American picture book artists’ interpretations of six of childhood’s formative stages and experiences: The New Child, The Child and Family, The Child at School and at Play, The Child in the Community, The Child in History, The Questioning Child, and The New Picture Book.
Children Should Be Seen: The Image of the Child in American Picture-Book Art has been co-organized by The Eric Carle Museum of Picture Book Art in Amherst, Massachusetts and the Katonah Museum of Art in Katonah, New York, and has been made possible by a generous grant from Helen and Peter Bing. Additional funding for the exhibition has been provided by the New York Council for the Humanities, a state affiliate of the National Endowment for the Humanities. Any views, findings, conclusions or recommendations expressed in this exhibition do not necessarily represent those of the New York Council for the Humanities or National Endowment for the Humanities.
Click here to view a list of the artists featured in the Children Should Be Seen: The Image of the Child in American Picture-Book Art exhibition.
In The Central Gallery
Toot and Re-Toot: The Return of Hardie Gramatky's Little Toot
December 21, 2007 - May 4, 2008
A perennial favorite, Hardie Gramatky’s Little Toot has sold over six million copies, and has never been out of print. Gramatky’s hero, an exuberant little tugboat, proves his courage when he saves a shipwrecked ocean liner during a terrible storm.
Gramatky, who began his career at Walt Disney’s studio during the Great Depression, brought something entirely new to the art of the picture book: an animator’s pacing and flair for comic action. Also a master watercolorist, Gramatky’s breezy technique endowed Little Toot’s pages with special brightness. Recently reprinted with restored colors and the original endpapers on the centenary of Gramatky’s birth, Little Toot continues to charm and enchant its audience.
In this exhibition, never-before seen sketches from Gramatky’s Disney days and from his unpublished notebooks provide in-depth view of the genesis of a classic.
This exhibition has been made possible in part by a gift from Matthew and Ellen Lougee Simmons and by the guidance and encouragement of Kendall and Linda Gramatky Smith.
Study for cover, Days With Frog and Toad
Graphite, ink and watercolor on illustration board
Courtesy of the Estate of Arnold Lobel
In The East Gallery
Seeking A State of Grace: The Art of Arnold Lobel
March 22 - June 15, 2008
In celebration of what would have been Arnold Lobel’s seventy-fifth birthday, the Museum has organized a retrospective of his illustrious career. Although his career was woefully short—he was only fifty-four when he died—Lobel created over seventy books and was awarded the Caldecott Medal for Fables (1981); two Caldecott Honors for Frog and Toad Are Friends (1971) and Hildilid’s Night, written by Cheli Duran Ryan (1972); and a Newbery Honor for Frog and Toad Together (1973). The exhibition will provide an overview of the full range of his career with considerable attention paid to his signature legacy—Frog and Toad.
Support for the exhibition Seeking A State of Grace: The Art of Arnold Lobel has been provided in part by HarperCollins Children’s Books.
Click here for more information about this exhibit, or related events and programming.
In The West Gallery
Selections from the Art of Eric Carle: Bears and Beyond
February 8 - August 31, 2008
As one of the most acclaimed authors and illustrators of our time, Eric Carle’s work has world-wide appeal. Selections from The Art of Eric Carle: Bears and Beyond explores the evolution of Carle’s collage technique, highlighting his collaboration with Bill Martin Jr. On view for the first time will be the art created for Martin’s last manuscript, Baby Bear, Baby Bear, What Do You See? This exhibition will also feature other insights into Carle’s creative process, including examples of his non-book art, as well as recent acquisitions from the Museum’s permanent collection.
Support for Selections from the Art of Eric Carle: Bears and Beyond has been provided in part by Henry Holt Books for Young Readers.
Kendra and Allan Daniel Collection
In The East Gallery
Flights Into Fantasy: The Kendra and Allan Daniel Collection of Children’s Illustration
July 1 - October 26, 2008
View examples of fantasy in children’s illustrations by some of the most famous illustrators of the 19th and 20th centuries from the remarkable collection of Kendra and Allan Daniel. The Daniels’ collection focuses on works from the Golden Age of Illustration, a period between 1880 and 1940 that produced unprecedented excellence in book and magazine illustration. Drawings and paintings from books such as Winnie the Pooh (Ernest H. Shepard), Babar (Jean de Brunhoff), Madeline (Ludwig Bemelmans), Raggedy Ann (Johnny Gruelle), Alice in Wonderland (Jessie Wilcox Smith), Snow White (Wanda Gàg), Little Miss Muffett (Arthur Rackham) and Peter Rabbit (Harrison Cady), are among the superb works selected. Co-organized with the Brandywine River Museum.
Click here to purchase the official exhibition catalogue and poster.
First published in 1940
In The Central Gallery
Dorothy Kunhardt's Pat the Bunny
May 16 - December 7, 2008
Dorothy Kunhardt was already a successful children's author when she wrote the ground-breaking Pat the Bunny for her 3-year-old daughter, Edith. Pat the Bunny is a "touch and feel" book for small children and babies that has been a perennial best seller since its publication in 1940. It is hardly a book in the literary sense, but more a collection of things to do, such as pat the fake fur of a rabbit on one page, feel a bit of sandpaper that stands for "daddy's beard" on another, and look in a mirror on yet another. Kunhardt thought that there was more to books than just words on paper and added elements that could increase a child’s love for reading and learning. The exhibition, taken from the archive of the Meserve Kunhardt Foundation, will explore the evolution of this innovative book as well as other facets of Kunhardt’s rich and varied career.
Support for the exhibition Dorothy Kunhardt’s Pat the Bunny has been provided in part by Random House Children’s Books.