IN THE East Gallery
A Renaissance Man : The Art of Fred Marcellino
The Carle is pleased to announce A Renaissance Man: The Art of Fred Marcellino, which opens June 30, 2015, and remains on view until October 25, 2015. The exhibition comprises over 90 works and shows the full range of Marcellino’s talent, from youthful Abstract-Expressionism through record cover and book jacket design to the crowning achievements of his career—illustrations for children’s books. As he noted about his picture-book art, "each picture is a link in a chain, and they all exist in counterpoint with the text. And although you want each picture to have impact, just like a jacket, the book illustration can also be much more subtle. It can be pondered and savored over a period of time. It's a very different discipline from what I was used to, but I must say it was love at first sight." Of special focus will be the art for Puss in Boots (1990), for which he won a Caldecott Honor award. The exhibition coincides with the 25th anniversary of the book’s publication. A 48-page soft-cover book by Nicholas Falletta, The Art of Fred Marcellino, will accompany the exhibition.
IN THE West Gallery
The Art of Eric Carle: From A to Z
IN THE Central Gallery
A Taste for Adventure: The Art of William Pène du Bois
To mark the centenary of William Pène du Bois’s birth (1916-1993), The Carle is pleased to host an exhibition of his work, borrowed primarily from the Estate, with a small selection from the Museum’s permanent collection. Featured will be several drawings from his Newbery Award-winning book, The Twenty-One Balloons [Viking, 1947], the fantastic story of the round-the-world balloon voyage of Professor William Waterman Sherman in 1883. As well, viewers will enjoy Giant Otto [Viking, 1936], about a large yellow hound of indeterminate breeding, who uses his size and strength to perform good deeds. Giant Otto serves as a precursor to Norman Bridwell’s (American, 1928-2014) dog Clifford the Big Red Dog [Scholastic, 1963]. Pène du Bois’s clear linear style employs broad washes of color, lending a sophisticated cartoon quality to the visual experience. In addition to being a prolific author and illustrator of children’s books, Pène du Bois catered to older audiences, serving as a correspondent for Yank magazine during World War II, and was a founding editor for The Paris Review.