IN THE Offsite
Brown Bear Everywhere
In celebration of the upcoming 50th anniversary of the picture book that launched Eric Carle’s career—Brown Bear, Brown Bear, What Do You See? by Bill Martin Jr —The Carle is sending the book’s famous characters to the main streets and outdoor spaces of Amherst. This special pop-up exhibition, Brown Bear Everywhere, brings 14 high-quality reproductions of Carle’s original collage illustrations to some of Amherst’s popular restaurants, schools, and recreational sites. For more information, please visit carlemuseum.org/brownbear
Support for Brown Bear Everywhere has been generously provided by Macmillan Children’s Publishing Group.
IN THE East Gallery
Brown Bear Turns 50
Published in 1967, Brown Bear, Brown Bear, What Do You See? had an immediate appeal to children and adults alike. Bill Martin Jr’s rhythmic call-and-response text builds anticipation at each turn of the page, while Eric Carle’s bold graphics and parade of animals encourage learning and imagination. Brown Bear has been translated into 31 languages—from Arabic to Vietnamese—and has sold 16 million copies. In addition to the original 1967 book, Carle re-illustrated editions in 1970, 1984, and 1992.
Artwork from every page of the famous book is on display, as well as a selection of Carle’s collages from additional collaborations with Martin. One of only two surviving collages from the 1967 edition—Brown Bear himself—has been faithfully restored and is on view for the first time.
This exhibition is made possible through the generous support of the Hsin-Yi Foundation, with additional support from Macmillan Children’s Publishing Group.
IN THE East Gallery
The Golden Age to the Modern Era: The Michael and Esther Droller Collection
It started when Michael Droller received a framed reproduction of a Maxfield Parrish painting as a graduation present from medical school. That gift ignited his passion for illustration, a passion that has long sustained Droller outside his career in medicine. Over 40 years, he and his wife Esther have amassed an enviable collection rich in literary history and artistic achievement. Artists from the Golden Age of Illustration—a period of extraordinary creative ferment from 1875 to World War I—include Randolph Caldecott, Walter Crane, and Kate Greenaway, as well as later but accomplished practitioners Frank Adams, L. Leslie Brooke, and W. Heath Robinson. The Droller’s modern holdings, spanning the last quarter of the 20th century, comprise such luminaries as Barbra Cooney, Alice and Martin Provensen, and Maurice Sendak. Thematic subjects bridge both epochs, allowing artistic comparisons between Arthur Rackham’s and Jerry Pinkney’s versions of Aesop’s Fables to Charles Robinson’s and Michael Hague’s Alice’s Adventures in Wonderland.