Archive for the ‘At The Carle’ Category

May Flowers and A Garden of Ordinary Miracles

Friday, May 17th, 2013

GardenofOrdinaryMiracles

Two weekends ago, an exhibition of original art by Robert Zakanitch for his book A Garden of Ordinary Miracles: An Alphabet Book opened in the Museum’s Central Gallery. To celebrate the exhibition and the fact that it was finally spring here in Amherst, MA I made a flower-drawing station in the Studio.

flower drawing in the Studio - The Eric Carle Museum

We need a new display in the Studio’s entry window, one that doesn’t block the view into the studio, so I chose permanent markers and clear acetate squares as the drawing tool and drawing surface for this activity. When we have about 50 drawings, I plan to start stringing them into garlands with with fishing line to create a friendly welcome into our space.

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Some guests have drawn the flowers we have in the vases realistically, others are drawing flowers from their imagination.

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Some guests are more interested in studying (very closely!) the flowers’ textures.

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Spring is a great time to draw from nature. Head outside with your kids and look closely at the new leaves and budding flowers. Study them again in a few weeks when they bloom! Read a flower related picture book, such as Miss Rumphius by Barbara Cooney, and if you’re in our area, come and see this amazing exhibition.

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In fact, if you’re in our area why not come tomorrow, May 18th? It happens to be a very special day with Robert Zakanitch.
He’ll be giving a gallery (or should I say garden?) tour at 11 am. At 1 pm he will be here in the studio to inspire guests to create big designs, visual surprises, and pleasing patterns using the shapes of one or more letters in their name. Learn more about these events here.

And then… visit the Studio sometime between May 22 and June 18th for our next public art project: From Found Materials to Flowers!

Latin Landscapes

Tuesday, April 30th, 2013

Latin Landscapes/ The Eric Carle Museum Studio Blog

I thought you might be interested in seeing what Museum guests are up to in The Studio lately.

Latin Landscapes/ The Eric Carle Museum Studio Blog

The current Public Art Project is Latin Landscapes and guests are invited to capture the beauty of any outdoor space and create a picturesque panorama adapting the textured drawing style of illustrator Raul Colón.  The project is inspired by one of our current exhibitions, Latino Folk Tales: Cuentos Populares–Art by Latino Artists, on display now through June 9th. On the tables are oil pastels, colored pencils and watercolor paints, as well as plastic combs and forks for scoring the paper and making textured marks in the creamy oil pastels. Below are a few different interpretations of landscapes by some of our talented guests!

Latin Landscapes/ The Eric Carle Museum Studio Blog

It’s hard to see the scratched texture details in these photos, but close up the overlap of the paints and pastels makes a really beautiful effect.

Latin Landscapes/ The Eric Carle Museum Studio Blog

Latin Landscapes/ The Eric Carle Museum Studio Blog

Latin Landscapes/ The Eric Carle Museum Studio Blog

Latin Landscapes/ The Eric Carle Museum Studio Blog

Latin Landscapes/ The Eric Carle Museum Studio Blog

Latin Landscapes/ The Eric Carle Museum Studio Blog

Illustrator Raul Colón will visit The Carle on May 19th for his presentation, Art is a Mind Game.  Doors open at 11:45 and the presentation starts at 12:00 pm with a book signing to follow. It’s free with Museum Admission.

For more information about upcoming events at The Carle, click here.

Latin Landscapes/ The Eric Carle Museum Studio Blog

Ribbon Window Shade

Thursday, April 25th, 2013

Ribbon Window Shade/ THe Eric Carle Museum Studio Blog

My last post was about how we made a window hanging out of old marker caps and other plastic tops by stringing them onto wire.  I thought it would be fun to share one more of our window hanging ideas because I often get questions and interest from our visitors about the window screens we have created in The Studio.  The Ribbon Window Shade uses some of the same materials as our Plastic Cap Window Screen and is a good way to explore the art of weaving.  It also provides some shade during the sunny weather that should be on its way soon!  Here is a list of supplies you will need to make a window weaving for yourself.

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Materials:

Two tension rods that fit your window (We purchased ours at Target)

Duct tape to secure the rods

Colorful wire (We purchased ours at Home Depot)

Ribbons, strings, fabric strips, yarn or any other weaving material

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First, you will want to put both tension rods in your window and secure them well so that they don’t move or shift when you start weaving.  Our window is 58 inches wide and we hung the two rods 36 inches apart.  I found that if you put some duct tape around the ends of the rods to attach them to the window they were much more stable and less likely to move once you begin wrapping the wire and weaving the ribbons.

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The wire that we used is the same cable wire that was used for the Plastic Cap Window Screen.  It is colorful cable wire that comes in a gray or black encasing which can be easily removed by peeling off the casing to reveal all the colorful wires.  I suggest cutting the wire while still in the casing into lengths that are double your window length, at most.  Otherwise the wire can get too long and tangles easily as you remove it from the casing.  I began adding the warp (the vertical strands in a weaving) by looping the wire around the top and bottom rods.  Secure the wire into place by wrapping the wire back onto itself.   After you have added many lengths of wire this way then you are ready for the weaving part.  I ended up doing 60 strands of wire to fill our window, but you may need to do more or less depending on the size of your window.

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We have quite a collection of ribbons, strings, fabric strips, and yarn and I found that starting at the top with some of the wider ribbon works well to get the pattern started.  To weave you should begin by pulling the ribbon OVER the first wire and UNDER the next and continue this pattern until you reach the other side (this back and forth pattern is done with the weft in a weaving).   The alternating pattern will create a fabric-like weaving.  And don’t be afraid to mix up your weaving a bit by going OVER two wires and UNDER the next one or making up any other weaving patterns you would like.  Whenever you run out of one ribbon or string pick up a new one and keep going.  I found that I could tuck some of the ribbon ends into place behind a wire but I also stapled a few together so they would be more secure.  I liked adding some of the thinner string in front of the thicker ribbons so that there were a few layers on top of each other in the weaving.  It is fun to experiment with whatever materials you are using to see how the textures and colors look with each other.

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I hope you get to try out making your own window weaving and please take a look at our other window display tutorials like the ones below.

Window Color Wheel

Rainbow Window Shades

Plastic Cap Window Screen

 

I would also love to hear about any other method you used to make a window weaving so please leave a comment  to let us know what you did!

 

 

Week of the Young Child – Part 1

Friday, April 5th, 2013

  The Eric Carle Museum of Picture Book Art

The Carle, committed to inspiring a love of art and reading through picture books, hopes you will celebrate  The Week of the Young Child™ and Brain Building in Progress Week with us!

The Week of the Young Child™ is an annual celebration sponsored by the National Association for the Education of Young Children (NAEYC). The purpose of the Week of the Young Child™ is to focus public attention on the needs of young children and their families and to recognize the early childhood programs and services that meet those needs.

The 2013 Week of the Young Child™ is April 14–20, and the theme across the Commonwealth of Massachusetts is “Brain Building in Progress.” 

The Brain Building in Progress (BBIP) campaign is a public/private partnership of the Massachusetts Department of Early Education and Care, United Way of Massachusetts Bay and Merrimack Valley and a growing community of early education and child care providers, academic researchers, business leaders and individuals.

Making Art with Children - The Eric Carle Museum of Picture Book Art

Brain Building in Progress wants to make it known that “early experiences build the foundation for a lifetime of learning, achievement and productive, responsible citizenship. Quality environments, enriching learning opportunities, a connected, supportive community, and positive interactions with knowledgeable adults actually help form the architecture of the developing brain.”

Here are a few ways you can celebrate with us:

  • Visit The Carle next Friday April 19th with your young children for a celebratory Brain Building Storytime in the Reading Library at 10:30 am. Before or after storytime, come to the Studio to explore our materials and then have a conversation about the art in the Galleries or try our Gallery Search.
  • If you’re an educator or grandparent, visit The Carle by yourself to discover new ways to foster brain building skills in the young children in your life, or register for one of our upcoming Professional Development Programs.
  • Whether you can or can’t visit The Carle in next week, check back here in the coming week as we celebrate WOYC and BBIP!  I’ll be sharing ideas for nurturing brain building in your home or classroom and some of the resources we use to inspire our work in the Studio.

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Animals in Motion

Friday, March 29th, 2013

Animals in Motion at The Eric Carle Museum

Here’s a sample of all the fun things guests are making in The Studio lately.  The current Public Art Project is Animals in Motion, making moveable animal mobiles or puppets with chopsticks, coffee stirrers, paper card stock, wire and lots of fun furry and feathery materials. Above, Maiya and her mom made a few birds, and a rabbit that really hops! Below is a beautiful pair of galloping (Blue?) horses by  two sisters.

Animals in Motion at The Eric Carle Museum

Brown Bear, Brown Bear What Do You See?

Animals in Motion at The Eric Carle Museum

A pair of friendly giraffes marching side by side…

Animals in Motion at The Eric Carle Museum

One slithery, bejeweled snake…

Animals in Motion at The Eric Carle Museum

And a few more feathery friends!

Animals in Motion at The Eric Carle Museum

Animals in Motion runs now through April 9th, 2013, so stop by and make your favorite animal move.

**Don’t forget to enter The Carle’s Call for Caterpillars Contest for the chance to win an original doodle by Eric Carle! Visit www.carlemusuem.org/call_for_caterpillars  for contest details. Submissions must be postmarked by May 31, 2013.**

 

Visiting Illustrator Melissa Sweet

Tuesday, March 26th, 2013

Melissa Sweet at The Eric Carle Museum

This past Sunday afternoon, author and illustrator, Melissa Sweet came to The Carle talk about her newest books, A Splash of Red: The Life and Art of Horace Pippin and Balloons over Broadway: The True Story of the Puppeteer of Macy’s Parade

Melissa Sweet at The Eric Carle Museum

In addition to giving a color-mixing watercolor demonstration, Melissa had the great idea to offer a mini kite workshop to celebrate spring!

easy kites at The Eric Carle Museum

Guests decorated colorful pieces of crepe paper, and after a few simple steps, many kites flew wildly on the patio and in the apple orchard. Fortunately, most of the snow from last week’s storm melted, the sun was shining and there was a nice steady breeze to guide the kites through the air.

easy kites at The Eric Carle Museum

We used the super easy kite tutorial from the blog Better in Bulk. Click here for the kite directions that worked like a charm.  We added the streamer tail with construction flag tape and colorful plastic bags for some extra pizazz to the kite’s simple design.

easy kites at The Eric Carle Museum

easy kites at The Eric Carle Museum

After the kite workshop, guests gathered in the Reading Library to hear Melissa discuss her process, read her books, and even do some facial expression sketching exercises in mini sketchbooks. Melissa told us that for her newest book, A Splash of Red, in addition to working with watercolor and collage, she carved and painted pieces of wood to include in one of the illustrations of Horace’s paint brushes and pencils, how cool!

Melissa Sweet at The Eric Carle Museum

Below is  large pop-up Melissa made from old posters attached to a folded piece of cardboard. She encouraged everyone to use materials around their own homes to make their own towns, jungles, or underwater habitats.

Melissa, thanks for such a special day!

Melissa Sweet at The Eric Carle Museum

For more information about Melissa Sweet visit her website www.melissasweet.net.

For more information about her newest book, A Splash of Red: The Life and Art of Horace Pippin, including videos, articles and educator resources, visit www.asplashofredbook.com

**Don’t forget to enter The Carle’s Call for Caterpillars Contest for the chance to win an original doodle by Eric Carle! Visit www.carlemusuem.org/call_for_caterpillars  for contest details. Submissions must be postmarked by May 31, 2013.**

Paint, Shape, Create! An Eric-Carle Inspired Artmaking Workshop

Saturday, March 23rd, 2013

The Eric Carle Museum

The Eric Carle Museum

Therese Brady Donohue, Director of Picture Book Theater and founder of The Amherst Ballet is leading an exciting workshop called Paint, Shape, Create! for ages 9 through adult here in the Studio on April 20th from 1-4.

Inspired by works  in our last exhibition Beyond Books: The Independent Art of Eric Carle, participants in this upcoming workshop will channel Eric Carle and their own inner artists as they paint on aluminum foil and then experiment with shaping it in strips and composing the strips on a painted canvas.

The Eric Carle Museum

Therese, well known for costume and mask design and construction as founder of Amherst Ballet, told me “For eight years I have worked with reproducing Eric Carle’s picture book images, adapting them into puppets and costumes. I am always interested in taking a technique and creatively using it in different ways. When I saw what Eric had done as an independent artist taking his signature textures and applying them to foil and creating dimension, it spoke to me as a fun technique to introduce to artists of all ages. It is not complicated and does not require in-depth talent to experiment with this technique. This is also a good technique for educators to use in the classroom up through high school.”

With that in mind, Therese and I thought that this creative process would be a great opportunity for an intergenerational class experience in which young artists, parents, grandparents, artists, and educators could work side by side and learn from each other.

The Eric Carle Museum

The Carle has offered parent/child and family programs before, but with this workshop the elementary-aged artists can participate with or without their parent present. By age 9 some young artists are clear in their creative passions and are ready for an opportunity like this.

Therese and I are both excited about the creative expression and layered learning that will happen this workshop.  If you or someone you know in our area might be interested in this workshop learn about how to register (carlemuseum.org/register ) today! We’ll need to have at least 5 participants registered by April 12, and space is limited, so don’t wait!

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Don’t forget to enter The Carle’s Call for Caterpillars Contest for the chance to win an original doodle by Eric Carle! Visit www.carlemusuem.org/call_for_caterpillars  for contest details.

Enter The Carle’s Call For Caterpillars Contest!

Friday, February 8th, 2013

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To celebrate The Eric Carle Museum of Picture Book Art’s 10th anniversary year, we invite friends, families, schools, and other organizations throughout the country and abroad to create 3-dimensional caterpillar sculptures out of found materials. Be inspired by Eric Carle’s most beloved character, The Very Hungry Caterpillar, and transform ANY combination of recycled or found materials (plastic, paper, foam, wood, metal, etc.) into a 3-dimensional caterpillar sculpture. Photographs of the caterpillar sculptures will be displayed at The Carle and on The Carle’s Facebook, Twitter, Pinterest and homepage.

What You Could Win:

Three entries will be chosen at random at the Museum’s Children’s Book Festival on June 8, 2013 and will receive an original doodle by Eric Carle!

How to Enter:

  •  Have fun creating your caterpillar either as an individual or part of a group.
  •  Submit up to four digital images of your sculpture. These photos can be of the various stages of fabrication or of the completed caterpillar taken from different angles. Photos should be high-quality .jpg images, no larger than 2MB. Please do not send original artwork!
  •  With each submission, please provide artist(s) name(s), a daytime phone number, email address and mailing address of the primary contact. Primary contact must be 18 or older.
  •  If you are sending multiple entries please put photos of each submission in a separate folder on the CD.

How to send us your digital images:

Mail images on a CD to: Call For Caterpillars, The Carle, 125 West Bay Road Amherst, MA 01002
Email images as attachments to: callforcaterpillars@carlemuseum.org (see above for photo size guidelines)

Submissions must be postmarked by May 31, 2013. Pictures of the sculptures will be
displayed at the Museum either on a digital picture frame or printed and displayed in the Art
Studio from June through August 2013.
Submitted photos may be featured on The Carle’s social media pages, website or print
publications. Photos become the property of The Eric Carle Museum of Picture Book Art
and will not be returned.

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To print out a PDF of the contest flyer, including guidelines and rules, click here!

For more information visit www.carlemuseum.org/Call_for_Caterpillarsor email callforcaterpillars@carlemuseum.org

Stay tuned for future posts about this contest.  We hope to see your caterpillars very soon!

Reid’s Special Sunday: Shadow Play

Tuesday, February 5th, 2013

Reid, our January-Term intern, designed and hosted a really fun special Studio activity last week for Museum guests. Here is her report on the planning process of the project and her reflection on the day.

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When brainstorming for my Special Sunday activity, I knew right off that I wanted to experiment with the way we use light to make images. In the studio, our large windows provide so much beautiful natural light, and I wanted to utilize this feature in the activity. Meghan and I were bouncing activity ideas off each other when we came up with the idea of tracing shadows. Upon further elaboration we came up with the idea of using found objects to make shadow collages, tracing the lines, and finally painting over the drawn images. Initially I was having trouble deciding between collaging and painting, and this project combined the two!

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Once I knew what I wanted to do, I began to plan out what materials we would use. I played with different kinds of drawing tools, paints, and paper to find the perfect combination of supplies. In the end, I decided to use Staonal crayons with tempera cake paints on large pieces of watercolor paper. I found the paint appeared bold and bright on the paper and didn’t smudge the Staonal, so the tracings remained intact.

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We put out baskets of found and natural objects that would cast interesting shadows. Each visitor could choose up to 4 objects at a time, and when they were done with those they could trade them back in for different pieces to trace. We had natural objects like stones, pinecones, and seashells, along with found objects like ribbon, bottle caps, and mesh. It was important to have a variety of different shapes and sizes available.

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On the day of the project we were lucky enough to have gorgeous sunny weather.  Of course, because of New England’s unpredictable weather, we were prepared to use an overhead projector as a back-up plan in case the sun wasn’t out. We arranged the back of the art studio so that the tables were pushed to the right side; this area was set up as the painting area, complete with paintbrushes, water, sponges, and of course paint!

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The left side of the studio was the tracing area. This is where visitors would put down their paper on the floor or sit on a chair and trace on a stool to arrange their objects and trace the shadows. We had cool shades that had previously been crafted by staff members on the windows already, and we moved these so there could be some interesting shadow patterns on the floors for the visitors.

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The cool thing about this project was it could be as complicated or as simple as you want it to be, depending on age level, ability, and interest. I didn’t want something where the guidelines were super stringent. If a child didn’t want to draw on the floor, they could just paint at the table. I made sure to emphasize that when talking to the visitors. There were no rules to this project; the point of it was to allow the materials and the environment to inspire and to create.

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I would say this project was definitely a success. It was exciting to see the families collaborating with each other and having fun with each other’s work. This activity was able to engage visitors of all ages. I was delighted to see how creative the children (and adults!) were with this project. Some visitors were very abstract with the images they made, while others used the shadows to create scenes out of their objects. All in all, it was a very fun afternoon in the art studio!

 

 

Slowing Down

Saturday, January 5th, 2013

playing with crayons at The Eric Carle Museum of Picture Book Art

This one year old and her mother from New York spent a while in a sun-bathed corner of the Studio yesterday afternoon. In no hurry, they permitted me to enter their moment with my camera.

playing in the Art Studio at The Eric Carle Museum

Today, as I reviewed the images, these words from Loris Malaguzzi came to mind:

One has to respect the time of maturation; of development; of the tools of doing and understanding; of the full, slow, extravagant, lucid and ever-changing emergence of children’s capacities, it is the measure of cultural and biological wisdom. Loris Malaguzzi, 1998, p80, The Hundred Languages of Children Advanced Reflections.

playing with spools in The Studio - The Eric Carle Museum

What better time than in the clean slate of the new year to share a few slow moments with your child? Read a book together. Make a drawing. Study the snow or palm trees or whatever surrounds you. If you can, come and see us in the Studio. We’d love to help you slow down.

looking outside at The Eric Carle Museum