Archive for the ‘Preschool’ Category

Week of the Young Child – Part 3

Saturday, April 20th, 2013

Rounding out my series of posts celebrating The Week of the Young Child™ and Brain Building in Progress Week…

The BBIP campaign wants everyone to know that “A knowledgeable community and well-qualified education workforce give children the support they need to succeed in school and life.”

Though nothing can replace the knowledge I’ve gained through hands-on experiences with amazing students, mentors, and colleagues, there are a few resources connected with the approaches and philosophies that shape my approach to teaching and parenting. Here are a few of my favorites that hope might inspire you too:

First, a few books I reference multiple times a year:

The Eric Carle Museum

The Hundred Languages of Children Edited by Carolyn Edwards, Lella Gandini, and George Forman.

Childern, Art, Artists

Children, Art, Artists: The Expressive Languages of Children, the Artistic Language of Alberto Burri,  Edited by By Vea Vecchi and Claudia Giudici.

 Yet: The Drama of Drawing

It’s Not a Bird Yet by Ursula Kolbe

A Whole New Mind

A Whole New Mind by Daniel H. Pink

These are the books I’ll be looking at next. Have you read any of them?

Books in the Art Studio

Being a visual learning in the digital age means I’m quick to turn to the internet for inspiration. There are so many great sites and blogs I could make a long list, but I’ll just share 3 for now:

Visual Thinking Strategies

Tinkerlab

Not Just Cute

 

The Eric Carle Museum

We do alot of work at The Carle is in support of teachers, parents and caretakers to foster a love of learning that flows between home, school and community.  I hope you’ll continue to see us as a resource for informing and inspiring the ways you live with or teach young children!

What are the resources that inspire and inform you?

Week of The Young Child part 2

Monday, April 8th, 2013

The Eric Carle Museum

In my last post, I shared that The Carle is celebrating The Week of the Young Child™ and Brain Building in Progress Week with a series of posts on this blog and hosting a special Brain Building in Progress Storytime in our Reading Library on Friday, April 19, at 10:30 am.

The Brain Building in Progress (BBIP) website clearly spells out how everyone has a stake and plays a role in building a “foundation for a lifetime of learning” in our young citizens. Its list of the Five Ways You Can Be a Brain Builder has inspired me to share few ways you might nurture brain building in the children in your life:

The Eric Carle Museum

BBIP suggests: “Make Any Moment a Brain Building Moment… through back-and-forth interactions and meaningful conversations with caring adults.” So what could those interactions and conversations look like?

  • Share a book with your young child. Picture books open up a space in which you can explore emotions, ideas and theories. Don’t be afraid linger on particular pages and talk about the pictures. Let the questions flow!  Need some book suggestions? Our shop has talked about some great selections for 0-3 years and 3-6 years.

The Eric Carle Museum

  • Explore the textures, shapes and colors of materials and objects you encounter together. To open a conversation, you might ask your child: “What do you notice about this paper/rock/flower/fabric/marker?” Even if they don’t yet speak back to you, they are wondering and thinking with their senses.

The Eric Carle Museum

The Eric Carle Museum

  • While young children are working with materials, you can invite conversation by saying: “Tell me about your idea.” Need some suggestions for materials or activities to try with your child? Check out our Infants & Toddlers, Nurturing Creativity at Home and Preschool posts, to start.

The Eric Carle Museum

Talk about the art you encounter together, whether in a museum or on the street. Art is everywhere and offers great opportunity for meaning-making. When you see a painting, collage, mural or sculpture in your community, you might ask: “What’s happening in this picture?” Learn more about open-ended conversations about art at vtshome.org

The Eric Carle Museum

*The Week of the Young Child™ is an annual celebration sponsored by the National Association for the Education of Young Children (NAEYC). The purpose of the Week of the Young Child™ is to focus public attention on the needs of young children and their families and to recognize the early childhood programs and services that meet those needs.

The 2013 Week of the Young Child™ is April 14–20, and the theme across the Commonwealth of Massachusetts is “Brain Building in Progress.”

Week of the Young Child – Part 1

Friday, April 5th, 2013

  The Eric Carle Museum of Picture Book Art

The Carle, committed to inspiring a love of art and reading through picture books, hopes you will celebrate  The Week of the Young Child™ and Brain Building in Progress Week with us!

The Week of the Young Child™ is an annual celebration sponsored by the National Association for the Education of Young Children (NAEYC). The purpose of the Week of the Young Child™ is to focus public attention on the needs of young children and their families and to recognize the early childhood programs and services that meet those needs.

The 2013 Week of the Young Child™ is April 14–20, and the theme across the Commonwealth of Massachusetts is “Brain Building in Progress.” 

The Brain Building in Progress (BBIP) campaign is a public/private partnership of the Massachusetts Department of Early Education and Care, United Way of Massachusetts Bay and Merrimack Valley and a growing community of early education and child care providers, academic researchers, business leaders and individuals.

Making Art with Children - The Eric Carle Museum of Picture Book Art

Brain Building in Progress wants to make it known that “early experiences build the foundation for a lifetime of learning, achievement and productive, responsible citizenship. Quality environments, enriching learning opportunities, a connected, supportive community, and positive interactions with knowledgeable adults actually help form the architecture of the developing brain.”

Here are a few ways you can celebrate with us:

  • Visit The Carle next Friday April 19th with your young children for a celebratory Brain Building Storytime in the Reading Library at 10:30 am. Before or after storytime, come to the Studio to explore our materials and then have a conversation about the art in the Galleries or try our Gallery Search.
  • If you’re an educator or grandparent, visit The Carle by yourself to discover new ways to foster brain building skills in the young children in your life, or register for one of our upcoming Professional Development Programs.
  • Whether you can or can’t visit The Carle in next week, check back here in the coming week as we celebrate WOYC and BBIP!  I’ll be sharing ideas for nurturing brain building in your home or classroom and some of the resources we use to inspire our work in the Studio.

teacher_mom_child

 

Materials Play in The Morning

Friday, March 15th, 2013

The Eric Carle Museum

It feels good to be back at The Carle! I’ve been scarce for a while because a very young person has come to live with my family and I took some time off to get to know her. In the past two months I’ve learned that life as a working mom of 2 kids under 2 years old is super busy but full of learning. I’m grateful that I get to spend time at home and time at The Carle learning about how toddlers explore materials and use them to make discoveries about the world.

While I’ve been out for most of our last Friday morning Materials Play for Toddlers series in the Studio, I wanted to share some pictures that were captured in a few of the sessions:

Pictured above: marbles, tempera paint, liquid watercolor paint, & black construction paper placed in the bottom of a plastic paper tray. Below, paper circles, cookie tins,  tempera and liquid water color paint. Shake rattle and roll!

***Safety Note: if marbles are a choking hazard in your setting try golf balls or ping pong balls.***

Marble-Painting

Below: plexi mirrors, washable markers, water-soluble oil pastels, wide cups of water and brushes.

markers-on-mirror

markers-on-mirrors

Truck Printing! Tempera squeezed into trays, toy cars and rolling stampers, black paper taped to the floor in the shape of a road. Secondary colors (violet, green and orange) chosen so that the mixture of the 3 would resemble mud.)

truck-and-roller-printing

truck-printing

A buffet of beautiful ingredients: (colorful paper dot confetti, raffia snipped to smithereens, reflective plastic Easter grass, plastic newspaper bag shreds, white feathers, yarn scraps, clementines box mesh, (in other words, all the bits we had laying around) . . .

materials-for-sticking-on-contact-paper

. . . pressed and sprinkled onto contact paper (paper frame attached first). This is my own sun catcher experiment. My guest’s compositions were less ordered, more spontaneous.

The Eric Carle Museum

I hope this inspired some experimentation and creative fun with your toddlers! Happy mess-making!

Don’t forget to enter The Carle’s Call for Caterpillars Contest for the chance to win an original doodle by Eric Carle! Visit www.carlemusuem.org/call_for_caterpillars  for contest details.

Winter Snow Painting

Wednesday, February 13th, 2013

Snow Painting The Eric Carle Museum

Hi! I’m Sarah Johnston and I work part-time in the Studio and conduct Student Outreach Programs for The Carle.  Diana and Meghan invited me to contribute to the Studio’s blog about once a month, so I’m excited to start sharing some of my ideas with you. I have a background in art education and taught elementary art for five years in Chicago before relocating to Western Massachusetts with my husband in 2011. I hope you enjoy my first post!

There is something very magical about making the first footprints, snow angels or other marks in a fresh blanket of snow.  It often makes me think of a blank canvas just waiting for an artwork to emerge. This project captures that magic in a slightly different and more colorful way.  The materials you need to snow paint are ones that you most likely have in your home already, even if you are snowbound. So if your family is looking for something different to do in the snow, give snow painting a try.

bottles

The Materials:

  • Condiment style bottles (we purchased ours from Target)
  • Food coloring and/or old and dried out markers
  • Snow!

Part of the fun is mixing up different colors of “paint” into your bottles.  I found that about 4-5 drops of food coloring in around 6 oz. of water will give you bright enough colors.  The process of making the paint could even be used as a quick lesson in color mixing and discovery.  As a former art teacher I often looked for ways in which children could discover on their own how colors mixed to form new colors.  The food coloring box may only give you some of the colors in the rainbow so you might have to mix the other colors.  What happens when you add a drop or two of red into yellow?  What colors do you think you need to mix to make purple?

DSC_1784

If you don’t have food coloring in your kitchen I found another way to make quick and easy “paint” when we were purging the Studio’s marker collection.  Older and dried out markers may not have enough color to draw with anymore, but if you drop one or two  markers into your bottles with water then you will have some other vibrant colors to paint with.  Once your colors are mixed up it’s time to go outside and try painting on the snow.  The bottles should give enough control to write, draw or just spatter like Jackson Pollock.

DSC_1769

DSC_1785

Have you used old markers successfully in art projects? I’m always looking for  ways to reuse regularly discarded materials, so I’m going to continue exploring the possibilities of reusing old markers.  Hopefully I’ll share with you my findings!

For another outdoor painting activity, check out our link to How to Make Watercolor Wash Collage Papers.

Don’t forget to enter The Carle’s Call for Caterpillars Contest for the chance to win an original doodle by Eric Carle! Visit www.carlemusuem.org/call_for_caterpillars  for contest details.

Winter Light Table

Saturday, January 19th, 2013

light table- The Eric Carle Museum

Here is a sneak peek at one of the new things our January Intern, Reid, is making for the light table.

Gabby’s Face Game

Wednesday, December 26th, 2012

The past few weeks we’ve been saying our goodbyes to all of our fabulous student staff members as they finish their semesters and head home on winter break.  Recently our fall semester intern, Gabby Rosenberg, completed her final project, The Face Game, an interactive display for Museum guests in the Art Studio.  Below she shares documentation on her progress creating the game this semester.  Great job Gabby!

The Face Game was a chance for me to design an engaging activity for all ages. The goal for The Face Game was for guests, primarily children, to create funny faces on their own or collaboratively.

The Public Art Project running while I was designing my final project was Face It, making portraits with colorful cut papers.  I wanted to create a humorous and open-ended activity to match the personality of the Studio space and the art project. The features I created are all intentionally outrageous in shape, color and proportion to lessen any pressure for realism or perfection.

In addition to being silly and having fun, The Face Game helps young children learn the names and shapes of different facial features, their correct placement, and identifying different facial expressions: happy, sad, angry or surprised.

The first step in the creation of the face was making a big oval from brown paper, about two feet wide by three feet long. Diana and I discussed how to make the face more sturdy and our solution was to attach the paper to cardboard with spray adhesive.

I struggled with which facial features to include and which to leave out. I ended up using eyebrows, noses, eyes, and mouths.  I created multiple variations of each feature with different colored and patterned papers.  To make each feature easy to recognize, I attached the parts to the same larger background shape that can be matched to an area on the face. For example, all of the eyes are glued on to larger circles, eyebrows on rectangles, and noses on triangles.

Some of the Studio staff helped me finish mounting the features to their brown paper backings and get them laminated.  For the back of each piece I made a label with what part of the face it was (i.e. “eye”, “nose,” etc.) and a small strip of sticky-back Velcro so it could be easily rearranged on the large face shape.

Before having guests play with the game, we did a little test attaching and detaching the face parts.  We realized that the brown paper face might tear if a child pulled hard on the Velcro.  Diana suggested brushing acrylic matte medium around the pieces of Velcro on the face to help strengthen the paper and prevent it from tearing.

Once all the parts were complete, Diana and I made an area on the front bulletin board in the Art Studio to hang The Face. We hung it at a height so even littler children would be able to reach and interact with the game.  Here is a photo of me talking with two little girls playing with the game shortly after we hung it on the wall.  Instead of making traditional faces, they had a lot of fun mixing up the parts and putting them in an unusual order: noses instead of eyes, mouths instead of eyebrows and eyes instead of noses!

 Final reflection

The idea of The Face project started because I wanted to make something that could stay at The Carle beyond my internship session. After discussing possible ideas with Diana, we came up with The Face Game. Personally, I was interested in designing an activity that was all about the face because faces and people are primarily what I focus on as an art studio major at Hampshire College. I think people of all ages can learn a lot from practicing how to document and represent other people, or just creating a made up character to strengthen their imagination. This project is a chance for people who don’t normally feel like artists to act like one, by designing a face and having fun while doing it! BIG thank you to everyone who helped out!

 

New Professional Development Workshop – Beyond Books: Art Inspired by Eric Carle

Friday, December 14th, 2012

Four Easy Pieces © 2011 by Eric Carle

Four Easy Pieces © 2011 by Eric Carle

Hello educators! I’m really eager to tell you about a new Professional Development workshop I’m developing as a companion to the Museum’s exciting exhibition: Beyond Books: The Independent Art of Eric Carle.* The Very Hungry Caterpillar by Eric Carle

Eric Carle is primarily known for The Very Hungry Caterpillar and over 70 picture books done in his colorful collage technique.

This exhibition, dedicated to what Eric himself calls his “ArtArt:” paintings, sculptures, and personal sketches that he has been making privately for more than 60 years, offers a view into another side of Eric’s life and work.

 

Porcupine Metal Sculpture by Eric Carle

© 2000 by Eric Carle

Having heard from Eric about the motivation and process behind his “ArtArt,” I began to think more and more about the relationship between work and play and where the two merge with children and materials. This relationship is one we try to cultivate through much of what we do here, so this exhibition provides a great opportunity to share our ideas and experiences!

© 2011 by Motoko Inoue

In the workshop on January 26th 2013, we’ll get our hands messy painting a variety of surfaces such as paper, vinyl, and cardboard. Then we’ll view the exhibition and a video of Eric reflecting on his independent art together. After, we’ll sculpt our painted surfaces into window hangings, mobiles, and more as we discuss Eric’s inspirations as an artist. Participants will leave with ideas for the classroom and an understanding of how his creative process might inspire students to think “off the page.”

Educators will receive 4 PDPs, but you don’t have to be an educator to participate. All participants receive a 10% discount in our Shop on the day of the program.

Professional Development Workshop at The Art Studio at The Eric Carle Museum of Picture Book Art

Here is the essential info again:

Beyond Books: Art Inspired by Eric Carle (4 PDPs)
January 26, 2013. 10:00 am – 2:00 pm
$50 (Members $45) Registration is required. Please click here for more information.

I hope you can join us! If not, check out our other upcoming professional development offerings here or learn how this or other programs can come to you, here.

Learn more about Beyond Books: The Independent Art of Eric Carle, in the West Gallery through February 24, 3013, here. Support for this exhibition has been generously provided by Peter and Helen Bing.

Fingerpainting with Toddlers: Debunking My Own Myths

Friday, November 2nd, 2012

Finger Painting with Toddlers - The Eric Carle Museum

My order of finger paint arrived from Discount School Supply in time for last Friday’s Materials Play for toddlers.  To get the kids started I put dollops of warm colors in a tempera cake palettes and invited them to paint on the windows. As they needed more paint I offered a few more colors.  A couple of children preferred painting in large white trays placed on our low table.

Finger Painting with Toddlers - The Eric Carle Museum

Finger painting paper was available for making prints from the paint if desired.

Finger Painting with Toddlers - The Eric Carle Museum

Everyone enjoyed their experience! To those who are thinking “no big deal, people have been finger painting since forever,”  here is my confession: For YEARS (a decade) I have been avoiding finger paint.  However, now that I have my own 19 month old, I see what I’ve been missing!

Finger Painting with Toddlers - The Eric Carle Museum

My previous rationale for avoiding finger paint stemmed from my view of children, my approach as an artist/educator, and honestly just not having many extended experiences with 12-30 month-olds under my belt.

I believe that from the start, children are learners, capable of making sophisticated meaning of their experiences and the world. My goal as an artist educator is to craft approachable creative experiences that help people:

discover how the visual world works

observe like artists

solve problems like artists

explore ideas through materials

My thought was that if young people think like artists and are capable of discovering that red mixed with blue equals violet, why would I not give them materials that operated like ‘artists’ materials? Somehow, painting with fingers seemed beneath my students. Beneath me. I perceived finger paint as cheap, producing dull colors, and too basic. In other words, not a ‘real’ artist’s material.

I have successfully offered “more sophisticated” painting experiences for older toddlers  with brushes and either liquid tempera, tempera cakes, or watercolor paint in a limited palette of colors.  Creating the right physical setup was important in those experiences too. While they weren’t wrong,  those experiences weren’t designed for a young toddler who’s sensory interests don’t always mesh with brushes and a palette of paint.

Finger Painting with Toddlers - The Eric Carle Museum

A few times I’ve tried making homemade finger paint. The recipes I tried were inexpensive and offered a nice sensory experience, but proved not ideal for discovering how color works. The color was faint, they got chunky if I cooked them too much, they separated in the refrigerator and stained my daughter’s hands. Not impressed.

Then, a little while ago,  I saw pictures by my daughter and her classmates on the wall in the toddler room at daycare. The colors were bold! There were areas where the colors were light, and areas with intense, saturated color. There were areas where colors mixed, and areas where they weren’t. Surprise, surprise. They were made with  finger paint!

Sure, other non-toxic water-based paints could be and have been used as finger paint, but toddlers can really get messy! This is something I of course knew and experienced,  but didn’t actually KNOW until I started painting with one in my own house. With white walls.

Many of the teachers I’ve worked with know that I’m the last educator to choose paint for its washability. Often the pigment in washable paints becomes pale when it dries. I’m generally a process over product person, but I do want colors to be satisfying, so I’ve usually chosen non-washable paints for my classes. As a parent, however, I’ve come to realize that washability in some of our home supplies allows me to relax and be in the moment with her.  I’ve learned that finger paint can grant many of my wishes!

 

Finger Painting with Toddlers - The Eric Carle Museum

I’m still a finger paint novice. So far, I like Discount School Supply’s Colorations Finger Paint but I’m interested to try Crayola’s because I like their tempera paint. I’m also willing to give this homemade recipe a whirl.  I’m not excited about finger paint paper, so different kinds of paper need to be tested.

Are there other brands of finger paint or types of paper you’d recommend? Any recipes you’re happy with? My daughter and I have lots of experiments to conduct!

From a Toddler’s Point of View

Friday, October 26th, 2012

The Art Studio at The Eric Carle Museum

The other week after observing a tentative toddler at the light table in the Studio I wondered if I had ever really looked at this room from the perspective of a toddler- 25 inches off the ground.  I’ve gotten on the floor probably  hundreds of times in the past 10 years here, but had I ever really experienced all the corners of our space as a toddler might?

The Art Studio at The Eric Carle Museum

Having my own 18 month old at home has uncovered new questions in my work.  Maybe I’ve said this before? No longer do I see what I do from strictly an educator’s perspective- I now see it work through tired, freshman-parent eyes. These eyes are now learning just how real it is to parent a willful, exploratory, energetic toddler. In the hope to tie new connections between work and home I grabbed the camera and got on the studio floor.

The Art Studio at The Eric Carle Museum

From my observations over the years I know that while pleasant and vibrant, our space is large and therefore overwhelming for some small people.

The Art Studio at The Eric Carle Museum

The Art Studio at The Eric Carle Museum

My time on the floor offered me more questions than answers .  Is our entry welcoming for toddlers? Do we provide the right visual engagement at their level? Is our furniture conducive to toddler and toddler/parent participation? Do parents of toddlers feel at ease here? Does how I focus the camera match how a toddler sees our space?

The Art Studio at The Eric Carle Museum

As I explore these questions with Diana and our volunteers,  I want to hear from you.   Have you seen your space – be it your home or classroom, from a young child’s perspective? Did it lead you to make any changes? If so, what was the reaction?

The Art Studio at The Eric Carle Museum

The Art Studio at The Eric Carle Museum