Search form

The Eric Carle Museum
of Picture Book Art
  • 125 West Bay Road
  • Amherst, MA 01002

Hours

  • Tue- Friday10 am - 4 pm
  • Saturday 10am – 5pm
  • Sunday 12 pm - 5 pm

 

Visit the carle

News

Making Art Together

Monotype Printmaking with Kids

I wanted to share this monotype printmaking project we teach during Animals, Art and Imagination, a mixed-age summer class we host here at The Carle every summer. Monotype means one-of-a-kind and if you've ever tried this style of printmaking before, then you know how playful and open-ended a medium it can be for making marks and layering colors.  It's a great project to try whether you're doing a lesson on the color wheel or just looking for a rainy afternoon activity at home with your family. Very few supplies are needed to get started

  

In this exercise we rolled  ink  on plexiglass plates in the primary colors (blue, yellow and red).  When we printed the single-color plates on top of each other, a magical thing happened. In the places where those colors overlapped on the paper, the secondary colors (green, orange and purple) suddenly appeared.  Okay, it's not exactly magic,  but printmaking always has a super surprise factor, you never know quite how things will turn out, and to kids especially, that's pretty magical!

Let me backtrack to earlier in the day, prior to the printmaking lesson.  As a mark-making warm-up, we introduced the students (ages 6-10) to The Museum's sculpture Imaginary Garden by Leo Lionni, which lives in the Great Hall, encased in glass. 

They had a discussion about what they saw going on in the large landscape, and then sketched the parts of the sculpture that interested them the most on small clipboards.

When the group returned to the Studio, I gathered them around and gave an introduction to the color wheel and how the primary colors mix together to make the secondary colors.  I also demonstrated how to use the materials and tools found at each station around the room.

I assigned a random color order to each child to help everyone move from station to station to make an even flow around the room without crowding.  When they got to their first station, everyone rolled the ink onto the small plexiglass plates in their first color, red, yellow or blue.

Next, they used one of the cotton swabs to make marks and remove areas of the ink.  I asked them to think of things growing in nature for inspiration.  A variety of tools can be used to remove the ink from the plate: combs, forks, found materials or basically anything pointy.  I kept it simple and provided cotton swabs for this activity.

After mark-making they carried their inky plate over to the printing press station where I helped them run their plate and a piece of paper through our tabletop press.  I made sure the pressure was set and handled the press blankets so they didn't get covered in finger prints and they were in charge cranking the handle. If you don't have a press you can just as easily hand press with pressure from rubbing your hands on the back of the paper into the inky plate.

The last step was to return their plexiglass plate to a tray to be reused, and write their name on their print and leave it to dry.  One of the best things about this process is how quickly the work dries on a table or rack.

They repeated the whole cycle until they had overlapped all three colors on one piece of paper.

I asked them to make at least three complete prints during the 45-minutes we had for this project.  We easily could have continued for an hour (or more!) since the different steps kept the kids really engaged.  Everyone had a handful of colorful prints to take home at the end of the day.

Here is the list of materials I used for this project:

  • Tabletop Printing Press, The Studio has this one.  Hand printing works fine if you don't have access to a press
  • 3mm plexiglass cut down to about 7" x 5.5" with rounded corners (we have a set of about 30 little plates, but you could get away with 15 or 20)
  • Akua Kolor Slow Drying Watercolor in Crimson Red, Phthalo Blue and Hansa Yellow (you can use tempera paints instead if that's what you have)
  • Speedball Screen Printing Transparent Base 32 oz. or gallon (use Nasco's Tempera Extender instead if you're using tempera paints)
  • 4" foam brayers- at least 6, I prefer using the foam rollers over the rubber rollers for this activity
  • small trays for rolling out the ink at each station (I suggest 2 rolling trays per station)
  • 3 plastic deli containers with lids
  • 3 plastic spoons
  • a stack of drawing paper cut down to a little larger than the plate

To mix the colors for printing, put a few scoops of the transparent base (big scoops if you're mixing for a large class) in a deli container and stir in several drops of the Akua Kolor until you get the level of transparency you like.  Repeat the process for the other two colors. You want plenty of transparent base so the colors will blend when overlapped, but you don't want to add so much that your colors aren't vibrant if you print them alone.  Test out what you've mixed by brushing it onto a piece of paper. The colors can be mixed ahead of time and stored in the deli container for several days in a cool, dark place.  For rolling, spread a spoonful of the ink mix across the top of the tray and use the roller to spread the ink evenly in the tray.  I suggest keeping adults in charge of adding more ink to the trays, kids tend to add more than they need and the roller can get too gloppy. Click here to see our other printmaking ideas. One of my favorites (besides monotypes) is making pasta machine prints. Have a great week!    

 

____________________________________________________________________________________________________________________________________________________________

We enjoy exploring materials and ideas in the Art Studio, and we’re excited to share our process with you! Please consider the following factors when adapting these posts for your learning environment: 

We facilitate a variety of programs within the Art Studio for a wide range of age groups. Please carefully consider the age appropriateness of each individual activity in your own learning environment.

Our projects are always done with adult supervision and proper safety precautions. Be sure all of your projects are overseen by adults who likewise follow proper safety precautions. The adults overseeing your project must also be responsible for handling or assisting with any potentially harmful equipment or materials. 

The Eric Carle Museum of Picture Book Art is not responsible for any damages, injuries or liabilities that result from any activities contained within this website, and we expressly disclaim any responsibility or liability therefor. From time to time, we reference materials that we have found to be particularly important in our projects. We do not receive any monetary compensation for recommending materials. 

____________________________________________________________________________________________________________________________________________________________

 

 

Add a New Comment

Leave a reply

CAPTCHA
This question is for testing whether or not you are a human visitor and to prevent automated spam submissions.

Comments

Mrs. P
Thursday, October 10, 2013 - 10:41 pm
Good Evening! I LOVE this project! I teach elementary and middle school art and printing with more than one color can be tricky. I noticed in one of the posts about this activity that tempera paint was mixed with a clear medium to help the colors float on each other. Can you tell me the ratio of tempera to medium? I would stop by, but I live in Maine. I have told my friend who lives nearby to be sure to try one of your workshops! Thank you, Mrs. P
Meghan
Saturday, November 11, 2013 - 4:48 pm
Hi Mrs. P! Thanks for your question. I'll ask Diana about that ratio of paint to medium and we'll get back to you soon. I know Maine is a big state, but I hope you'll find your way down here at some point!
Diana
Monday, November 11, 2013 - 4:02 pm
Hi Mrs. P. The ratio of Tempera to Medium I use is about 3 parts Tempera to 1 part Medium. I mix them in small deli containers with lids so the paint doesn't dry out while we're printing. Sometimes paint mixes can separate or get moldy in storage, so I prefer to only make it in small batches. I test the transparency of the paint by spreading it with my finger across a white piece of paper. Compare your mixed paint sample with straight from the bottle tempera sample. If your test looks too close to the plain tempera sample, just keep adding small amounts of medium until you have a transparency that you prefer. I recommend printing with your samples beforehand to make sure the colors really do overlap. Good luck and thanks for your question!
Back
To Top